Barricades were erected around two of the city’s public
works of art, while museums and art institutions increased security or closed altogether
By Anny Shaw. Web only
Published online: 24 May 2012
As protesters clashed with police at the recent Nato summit
in Chicago ,
barricades were erected around two of the city's public works of art, while
museums and art institutions increased security or closed altogether. Despite
the preparations, or perhaps because of it, although the demonstrations were
heated, no works of art were damaged.
Marc Chagall’s mosaic, The Four Seasons, which was
dedicated to the city in 1974 but funded by the First National Bank of Chicago
(later to become JP Morgan Chase) and so is privately owned, was completely
boarded up at the foot of the Chase Tower. Picasso's untitled sculpture in Daley Plaza ,
which dates to 1967 and is owned by the Public Building Commission of Chicago,
was fenced off a week before the Nato summit (20-21 May). Meanwhile, a
spokeswoman for Chicago 's department of cultural
affairs said before the summit that it had no plans to protect the works of art
in public places under its jurisdiction, including those in Millennium Park .
According to Dan Simon of the Glass and Metal Alliance, who was contracted to
build a protective cover for the Chagall work, companies were urged not to
board up their windows and to “carry on with business as usual”.
Michelle Obama hosted a dinner for Nato spouses at the Art
Institute on Sunday, while hundreds of protesters gathered outside. Riot police
were deployed, forming a circle around the building. Despite a few water
bottles being thrown, the protesters dispersed peacefully and no damage was
done to the museum building.
The directors of the Museum
of Contemporary Art , the Art Institute
and the Fine Arts Building
closed their institutions for the weekend—some fearing damage from protesters,
with others anticipating road blocks and traffic jams.
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