Power of Hungary ’s
conservative art Academy grows
Opponents disrupt meeting of influential right-wing group
By Julia Michalska. Web only
Published online: 20 December 2012
Around a dozen protesters managed to crash the general
assembly meeting of the Hungarian
Academy of Arts (MMA) on
15 December. The Academy is an ultra conservative artists’ association funded
by the Hungarian right-wing government of Viktor Orban. The activists took the
stage, unfurling a banner that read: “The MMA is exclusive, art is free.”
Hungarian media reported a violent struggle with security forces as the group
was led out of the meeting.
Fears have been growing over the MMA’s tightening grip on
the Hungarian cultural sector. Last month, Gabor Gulyas, the director of the
Mucsarnok, Budapest ,
a leading venue for contemporary art, stepped down. Gulyas said he was no
longer able to “work independently” after the government announced that the
Academy will take over the artistic and organisational leadership of the
institution at the start of the new year. Gulyas, who was himself appointed by
Orban and only took office in 2011, said it was his “moral duty to
resign”.
The decision to transfer control of the Mucsarnok to the
Academy was prompted by the Mucsarnok’s exhibition “What Is It To Be
Hungarian?” which was branded “national blasphemy” by the MMA’s 80-year-old
leader, Gyorgy Fekete. According to the Hungarian branch of the International
Association of Art Critics (AICA), membership of the Academy “requires a commitment
to the nation, a certain ‘national sentiment’”. Artists who criticise the
government abroad are not eligible for membership, Fekete said in an interview
in the weekly Hungarian magazine Demokrata.
The Academy was founded as a private association in 1992.
In 2011, it was transformed into a public body, in a process that, according to
AICA “lacked the minimum [level] of transparency”. The government gave the
Academy a large budget (around $114m), and opulent headquarters. From 1 January
2013, the leadership of the Academy will be involved in decisions over public
cultural funding and participate in the selection of museum directors,
according to AICA.
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