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GALERIE JOAQUIN KICK STARTS ITS 10 YEARS IN THE ART SCENE

Galerie Joaquin kick starts its 10 years in the art scene

"MOST people overestimate what they can accomplish in a year–and underestimate what they can achieve in a decade!" –Anthony Robbins

It takes resilience and determination for any endeavour to reach its 10th year. As eras are spelled out in decades, art space Galerie Joaquin has been at the forefront of defining the discourse of Philippine visual art in the last ten years. The intrepid nature of this gallery has had it actively shaping the explosive progression of the Philippine art scene in the last decade–and has helped establish it as one of the most important galleries in the country today.

This year, Galerie Joaquin kick starts its 10 years in the art scene with its annual anniversary exhibition at the 4th Floor Art Center of SM Megamall in Mandaluyong City from January 13 to 28. The first event of a year-long celebration, the exhibit Year 10 features the culmination of a decade as one of the preeminent art galleries in the country with works by artists such as Presidential Medal of Merit winner Juvenal Sanso, National Artists Frederico Aguilar-Alcuaz and Abdulmari Imao, major Artists Ramon Orlina, Mario Parial, Angelito Antonio, Michael Cacnio, Toti Cerda, Lydia Velasco and Dominic Rubio, as well as a gathering of some of the best contemporary artists in the scene today including Daniel dela Cruz, Eufemio Rasco, Carlo Magno, Juanito Torres, Vincent de Pio, Jaspher Penuliar, Aileen Lanuza, Migs Villanueva, Pro Gelladuga, Amador Barquilla, Richard Arimado, Jovan Benito, Jomar Delluba, Aljo Pingol, Aldrino Abes, Jef Cablog, Ronald Caringal, Sam Penaso, Karina Baluyut, PJ Jalandoni, Roel Obemio, Edwin Tres Reyes, Dominador Laroza, Gino Tioseco, Marcial Boneo, Armenius Aralar, Glenn Cagandahan, Kin Misa, Reybert Ramos, Keb Cerda, Ronson Culibrina, Ben Reyna, Inday Cadapan, and Hamzah Marbella.

Juvenal Sanso continues his renowned moderno series inspired by vistas and landscapes of memorable places in his past, while still-life abstractions and portraits by late National Artist Aguilar Alcuaz demonstrate a singularity of skill in technique and vision. National Artist Abdulmari Imao plays with the traditions of Southeast Asian Islamic motifs with naga-like sculptural forms of the sarimanok trope. Ramon Orlina emphasizes once again that he is a master of the medium of glass and all its permutations with new works of differing shades. Dominic Rubio continues his usage of elongated figurations within colonial contexts, which pairs fantastically with Mario Parial’s naïf take on whimsical interludes and Lydia Velasco’s investigations on feminine sensibilities.

Among contemporary artists, Vincent de Pio connects his surrealist approach to traditional female preoccupations and Asian cultures while Juanito Torres, as the leading historical painter in the country, takes scenes straight out of Philippine history with his large-scale canvases. Roel Obemio shows his alignment with Boterismo concerns of exaggerated volume within genre contexts while the renowned sculptor Michael Cacnio revels in playful scenes in mixed metals which blend in perfectly with the equally-gifted sculptor Daniel dela Cruz’s approach to the feminine mystique portrayed with different metals.

Naïf works continue with the alluring visions of child prodigy Hamzah Marbella, whose works capture an indomitable optimism and innocence which is enhanced by the usage of crowds by Amador Barquilla in his jigsaw-like compositions.

Works from Eufemio Rasco IV, Jaspher Penuliar, and Pro Gelladuga are at the bleeding edge of the contemporary avant garde, with a conceptual mileu that is thoughtfully juxtaposed with refined technique and rebelliousness that has come to define the scene today. Pure abstraction, perhaps the most technically-challenging form of painting, is well represented by the master of the form, Carlo Magno, and by Karina Baluyut. Narrative sensibilities are, on the other hand, presented by Migs Villanueva who, in the tradition of the likes of E. Aguilar "Abe" Cruz, also happens to be an award-winning writer.

The start of a year-long celebration, Year 10 heralds a new dawn for Galerie Joaquin–a celebration of its place in the discourse and a sign of better things to come in the Philippine art scene.

Galerie Joaquin may be reached through their landline at (632) 723-9418 or by email at info@galeriejoaquin.com. Their website is at www.galeriejoaquin.com.

http://www.malaya.com.ph/01132012/liv1.html

GALERIE JOAQUIN CELEBRATES YEAR 9

BOOK FEATURE: FEDERICO AGUILAR ALCUAZ

“Alcuaz is an enigma. He can recite lines or rattle off entire sections of poetry he learned during his school days, and just as easily forget the name of a person he just met. He has difficulty remembering the name of the Walled City of Manila (Intramuros) and important dates; although he remembers places and details of landscapes he has painted in the past.

Once he leaves his studies, he does not believe in thinking about his pending paintings or bringing hi work mentally with hi, outside the studio. Alcuaz believes that this affords him an entirely new perspective or a fresh look at the work. During the latter part of this day, he can usually be found at his favorite hotel lobby armed with a battery powered portable Casio keyboard (organ), a gift from the late Supreme Court Chief Justice Claudio Teehankee. He tries to accompany whatever orchestra or string ensemble a hotel may have.

He does not believe of letting go of his artworks except to people he takes a fondness for, and usually at rather high prices. Yes, he will not balk at helping causes or supporting fundraising activities by donating several valuable artworks. In some instances, he has donated entire collections to the institutions he had been a part of, among them his former schools – San Beda College, the Ateneo or the University of the Philippines. His generous donations have raised funds for numerous causes, among them for professorial chairs at the Ateneo College of Law, for endowment funds of the Ateneo de Manila University, the San Beda scholarship fund, for the University of the Philippines, s well as for the UP College of Fine Arts Alumni Foundation scholarship fund.”

Federico Aguilar Alcuaz
By Jack Teotico
Edited by Tara FT Sering
2007 by Galerie Joaquin