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Monday, March 9, 2009

3 YOUNG CONTEMPORARIES


3 Young Contemporaries is VWFA's annual signature platform created to promote the works of emerging artists from the Southeast Asian region to a wider audience. Over the years, the show has proven itself to be a prominent launch pad for the careers of many successful artists on both local and regional level.

This year's show will reprise our tried and true formula of seeking out new artistic strategies, encouraging creative experimentation and highlighting the many ways in which young artists are shaping new and engaging responses to our contemporary experience. The 3 Young Contemporaries for 2009 are Budi Agung Kuswara (Indonesia), Rahmat Haron (Malaysia) and Maria Taniguchi (the Philippines).

Budi Kuswara Agung graduated from the Indonesian Art Institute of Yogyakarta. He was featured in the Borobudur International Festival Open Air Exhibition at Museum H. Widayat and Termogram, a group exhibition at Neka Art Museum.

Maria Taniguchi (b. 1981) is currently sitting for her MFA in Art Practice and will be graduating from the Goldsmiths University of London in 2009. Maria is one of the most revered artist of her generation. With solo exhibitions all over the Philippines, beginning in 2003 with Green Papaya Projetcs and her latest solo in 2007 in the Corredor Gallery. It is not surprising this artist is Philippines sought after talent. 3 Young Contemporaries will be her debut here in Kuala Lumpur.

A self-taught artist, Rahmat Haron (b. 1977) is also widely known for his writing, poetry performances and social activism. He has participated in a number of exhibitions, including The Unknown Exhibition at R A Fine Arts (2008), Gudang Open Show, Gudang Art Space (2007 and Dream, delirium + face at Reka Art Space (2005). His more recent show was Cabinet at Valentine Willie Fine Art.


In conjunction with 3 Young Contemporaries, we will also be featuring History Lessons: Works on Paper in our project room. Participating artists include Nadiah Bamadhaj, Sri Maryanto, Genevieve Chua and Dominic Mangila. The show looks at how paper as a medium is strategically used to translate, worked against as well as reinterpret the traditional genre of Western History Painting. Works on paper is a suitable vehicle for contemporary artists to challenge official historical narratives, finding new threads of 'histories' that are more personal and capturing history as essentially something polysemous, or open to multiple interpretations. In short, they provide a space for a more mature reflection than received understanding of our history.

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