What seems to be an intricate layering of squares and circles are actually houses, in which most of his subjects and concept find a physical form.
Employing the usage of everyday objects such as bottle caps and the like, Herbert Pinpino’s works are quite like a silent mirror of our country’s present state. from afar, his artwork would seem like a visual frame of houses piling up with each other. With his method of how he views poverty, the artist also prefers the inclusion of bloody colors in his trademark. According to him, this blood-like, rust-like presence in the painting evokes a sense of inner destruction and decay, as if our country is depicted in literal condition of cruel wounds.
